Dhaka Hosts Grand Classical Music Festival Remembering Ustad Alauddin Khan

Yesterday evening, Dhaka’s Chhayanaut Auditorium witnessed the grand inauguration of the two-day Shuddha Sangeet Utsav 1432, a classical music festival held in memory of the legendary maestro Ustad Alauddin Khan. The festival opened with a melodious rendition of the national anthem, setting a deeply evocative and celebratory tone that resonated with the audience’s hearts. The first session continued until 9:30 pm, immersing listeners in the profound beauty and intricacies of Bengali classical music.

In his inaugural address, Chhayanaut President Sarwar Ali reflected on the institution’s recent challenges. He revealed, “Earlier this year, unidentified assailants forcibly entered our six-storey building, attempting to destroy every room. Our musical instruments were deliberately targeted, and educational materials at the Nalanda children’s school were also destroyed. The financial loss was significant, but the deepest wound was felt in the hearts of our students and teachers. Yet, this adversity has strengthened our resolve.”

He further emphasised, “Our mission is to cultivate a secure environment where musical practice, performance, and celebration can flourish freely. The unhindered practice of Bengali culture is a fundamental right.”

The festival’s opening performance was presented by the Chhayanaut Conference Song Ensemble, conducted by Asit Kumar Das, which mesmerised the audience with five elaborate ragas. Following this, Deepa Nishant performed the evocative Purbi Raga, harmoniously blending the mood of the evening with delicate lighting.

In a tribute inspired by recent reconstruction efforts, several special performances highlighted resilience and renewal. Notable contributions included: the dual tabla recital by Ignatius Rosario and Apratim Roy, Ibadul Haque Saikat’s Imankalliyan Raga on sitar, Shaila Tasmin’s serene Shyamkalliyan Raga, and Bitu Shil’s emotive Bachaspati Raga. The evening concluded with Mrityunjoy Das’s soothing rendition of Rageshri Raga, symbolising musical healing.

Festival Performances and Highlights

The festival culminated in a special performance led by Asit Kumar Das, symbolising struggle, tolerance, and resilience. The evening left attendees inspired, preserving both the memory of Ustad Alauddin Khan and the enduring pride of Bengali cultural heritage through the universal language of music.