No Political Party in Bangladesh Ever Addresses Music Policies

Dhaka, Bangladesh: As the nation prepares for upcoming elections, public attention increasingly focuses on political parties’ manifestos. Amid this debate, Hamin Ahmed, a leading figure in Bangladesh’s rock music scene and frontman of the band Miles, has raised a clarion call to political parties regarding music and cultural policy. In a recent Facebook post, Hamin warned that music enthusiasts and artists may withhold their votes unless parties present clear strategies for supporting the country’s musical heritage.

Hamin Ahmed wrote:

“With the national election just around the corner, musicians, artists, and music lovers want to know—what is your cultural and music-based manifesto for Bangladesh’s future?”

He further highlighted a historical gap: in 54 years of Bangladesh’s history, no political party has included a dedicated music policy in its manifesto. According to Hamin, while parties have outlined policies on education, health, and the economy, music and culture remain neglected, despite being a core element of the nation’s identity.

Emphasising the power of citizens, Hamin urged the public to leverage their vote to demand cultural accountability:

“This is not just rhetoric. Out of 180 million people, how many actively engage with music—2, 3, 4 million, or more? Music transcends generations, from youth to the elderly. If we insist that parties present clear music policies—or withhold our vote—what do you think will happen? Political parties need votes; we hold the power. Use it!”

The post quickly gained traction on social media, sparking widespread discussion among musicians, composers, and music enthusiasts. Artist Biplob commented, “Absolutely correct,” while singer Ayesha Moushumi remarked, “A vital question—action must follow immediately.” Vocalist Sheikh Ishtiaq shared the post, stating, “I want to live my life through music. If that is not possible here, perhaps elsewhere.” Musicians such as John Kabir and Adit Rahman also amplified the message.

Many in the cultural community emphasise that safeguarding and improving the music industry requires political support and specific government initiatives, arguing that manifestos must recognise music as a national priority.

Hamin Ahmed’s call represents a growing movement among citizens and cultural practitioners who seek formal recognition of music as a vital pillar of Bangladesh’s social and national identity.