Renowned figures from Bangladesh’s cultural sphere have voiced their expectations from the incoming government, urging the establishment of clear policies, the assurance of safe and independent working conditions, and recognition of talent based on merit. In this context, Hamim Ahmed, celebrated musician and member of the country’s leading band Miles, highlighted the challenges faced by musicians, actors, and other cultural professionals, emphasising the need for active governmental support.

Speaking at an extensive discussion session on the state of music and performing arts in Bangladesh, Hamim Ahmed drew attention to the persistent lack of recognition for the profession. “Over the past 54 years, much has changed in our country, yet musicians continue to be deprived of state recognition. It is the duty of the next government to officially acknowledge this profession,” he asserted. He also condemned the undue criticism faced by cultural professionals during crises, calling on the government to make a clear statement that such injustices will not recur. “The public has the right to be informed on this matter,” he added.

Hamim Ahmed further emphasised the dignity of artists: “When a government invites an artist to participate in an event, that artist should not be subjected to disrespectful comments or criticism. The professional honour of musicians and cultural professionals must be safeguarded. The government should give due attention to everyone involved in the arts and literature sector.”

He also criticised the lack of recognition in the form of Commercially Important Person (CIP) status. “Artists contribute to society, pay taxes, and earn a livelihood, yet they receive minimal social acknowledgment. In many countries, artists are universally respected, but our system fails to reflect this,” he noted.

On the subject of arts education, Hamim proposed the inclusion of music in the curriculum from an early stage, which he argued would enhance students’ intellectual and emotional development while elevating the societal value of arts. Additionally, he called for opportunities for artists to perform safely and independently across all regions of the country.

Regarding professionalisation, Hamim Ahmed stated: “Music should not be treated merely as a hobby; it must be recognised as a legitimate profession. Following examples from India and other countries, we can develop music as a professional and commercial field. The government can play a guiding role and provide support in this regard.”

The table below summarises the key demands of cultural professionals and potential government interventions:

Hamim Ahmed’s message is unequivocal: safeguarding the dignity, security, and independence of cultural professionals is a fundamental state responsibility. If the next government acts on these demands, Bangladesh’s cultural sector could become more vibrant, sustainable, and respected on the global stage.