Khabor Wala Desk
Published: 27th April 2026, 10:29 AM
The newly released biographical drama Michael, centred on the life of pop icon Michael Jackson, has stormed the global box office, setting a new benchmark for biographical films. The movie’s explosive opening weekend has positioned it as one of the most commercially successful releases in recent years.
In its first weekend alone, Michael earned an estimated 97 million US dollars in North America and 217 million US dollars worldwide, marking a historic debut for a music biopic. This performance has placed it firmly ahead of all previous entries in the genre.
| Film | North America Opening | Worldwide Opening | Year |
|---|---|---|---|
| Michael | $97 million | $217 million | 2026 |
| Bohemian Rhapsody | $51 million | — | 2018 |
| Straight Outta Compton | $60 million | — | 2015 |
The film has now surpassed earlier record-holders such as Straight Outta Compton and Bohemian Rhapsody, both of which were previously regarded as landmark successes in the biographical genre. Within the current year’s releases, Michael also ranks as the second highest-grossing film to date.
Despite its commercial triumph, critical reception has been mixed. On Rotten Tomatoes, the film holds a modest 38% positive rating from critics. However, audience response has been significantly more favourable. According to CinemaScore polling, viewers awarded the film an “A-” grade, indicating strong public approval.
A notable proportion of ticket buyers were reported to be women and audiences aged over 25, suggesting broad demographic appeal beyond traditional fan groups.
Directed by Antoine Fuqua, the film traces Michael Jackson’s journey from his early childhood as a member of the Jackson family to his emergence as a global music phenomenon. The role of Jackson is portrayed by his real-life nephew, Jaafar Jackson, whose performance has drawn significant attention.
The production was developed on an estimated budget of around 200 million US dollars, with Lionsgate, Universal, and the Michael Jackson Estate collaborating on the project. The film notably concludes its narrative at the 1988 “Bad” tour era, a creative decision influenced by ongoing legal sensitivities surrounding the later period of Jackson’s life. According to production notes, certain aspects of his later years were either altered or omitted due to legal complexities.
In light of the film’s substantial box office success, industry observers report that Lionsgate is already considering further instalments exploring different phases of Michael Jackson’s life and career.
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