Khaborwala Online Desk
Published: 13 Feb 2026, 06:47 pm
New South Wales is poised to rejuvenate its live music scene with a suite of reforms aimed at making it easier for venues to host gigs and festivals for audiences of all ages. The changes mark a significant step towards restoring the state’s reputation as a vibrant hub for live performance.
Venues such as Sydney’s iconic Metro Theatre were once regular hosts of under-18 events before the COVID-19 pandemic delivered a severe blow to the music industry. Compounding this, the state has endured a series of challenges over the years, including the now-repealed lockout laws, which previously dissuaded artists from performing in NSW.
The state government has introduced what it describes as a “world first” legislative package to support live music. Key elements include a revised approach to noise measurement, ensuring that one-off spikes no longer trigger fines, and a tailored support system for live venues that protects against unfair fees or discrimination against specific music genres.
A $500,000 dedicated fund will provide grants of up to $100,000 to venues, covering costs associated with staging a minimum of three all-ages live music events annually. This initiative is expected to re-energise the sector and encourage participation across generations.
Lockout laws, implemented in 2014 to curb alcohol-fuelled violence, required venues in certain areas to enforce a 1:30 am lockout and cease alcohol service by 3 am. The consequences for the music scene were significant.
| Year | Impact of Lockout Laws | Data Source |
|---|---|---|
| 2016 | 40% decline in live music revenue within lockout zones | APRA AMCOS |
| 2014–2020 | Numerous venue closures | NSW Live Music Reports |
Metro Theatre CEO Sam Nardo welcomed the reforms. “It’s an encouraging time to be a live music operator in NSW,” he said, highlighting the opportunity to reinstate under-18 programs disrupted by COVID. He added that the state had previously lost emerging talent to Melbourne and Brisbane due to these constraints.
Minister for Music and the Night-time Economy, John Graham, stressed the government’s commitment to rebuilding NSW’s live music reputation. “We nearly lost it all together with the lockouts and COVID lockdowns. This legislation is about long-term support,” he said, noting NSW’s poor record on all-ages gigs.
Musicians also praised the changes for their inclusivity. Members of the band Boy & Bear described the significance of all-ages shows, emphasising how shared musical experiences can inspire future generations.
The reforms also promise improved conditions for festivals, particularly regarding noise regulations. An average-based measurement system will replace the previous method, reducing the risk of fines caused by transient sound spikes. Australian Festivals Association chair Adele Robinson highlighted that the new system would enhance sound quality while safeguarding nearby residents.
Mr Graham suggested the reforms could ultimately lower ticket prices, making live music more accessible for fans while providing stability for venues and performers alike.
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